![]() The most notable difference, however, is the integrated mounting ring for the single coil bridge pickup. Newer bridges have six adjustable saddles similar to the Stratocaster. First, the original Telecaster bridges (1952-1998) – and the Broadcaster and “Nocaster” that preceded them – had only three saddles so that the strings could only be adjusted in pairs. The design of the bridge itself is a variation of the Stratocaster bridge with a couple of differences. ![]() While some of the other bridges we’ve discussed can be used on a number of different guitars, the Telecaster style bridge is designed for one specific application, the Fender Telecaster guitar. Can fall out of tune easily depending on quality of manufacture.These bridges must be used in conjunction with some type of tailpiece, either a stop bar or trapeze-style tailpiece or through body string grommets. There are also screws along the back of the bridge that allow for individual front to back adjustment of each saddle. Thumb wheels on the left and right-hand side of the bridge allow for raising or lowering the action on either side. The Tune-o-matic style bridge is mounted on a pair of studs embedded in the body of the guitar. These bridges were originally developed by the Gibson guitar company as a replacement for their wrap around style bridge/tailpiece (original to Les Pauls from 1952-54) to provide more precise adjustment for intonation. Tune-O-Matic via įar and away the most common type of fixed bridge is the Tune-o-matic style bridge. Since it would be a nearly impossible task to go over every style of hardtail bridge from every manufacturer, we’ll look at the ones you are most likely to encounter. Since fixed bridges have been around for a longer period of time and are generally of simpler construction, there are more variations of this type of bridge than there are of the tremolo type. In general terms, however, fixed bridges are usually preferred by jazz, blues, country and classical or traditional guitarists, while tremolo bridges are more suited to rock, particularly hard rock and heavy metal. Famous jazz guitarist Les Paul, who was not known for playing songs featuring a lot of crazy tremolo, was often seen playing a Gibson Les Paul Recording model with a Bigsby tremolo unit, while Steve Vai, who’s definitely on the other end of the spectrum, has been known, on occasion, to put down his trademark Ibanez Jem in favor of a Les Paul. Naturally, there are no hard and fast rules for this. Finally, it must provide some method of fine tuning each string for proper intonationĪdditionally, if the bridge is a combination bridge, such as a “wrap-around” style or tremolo, it must also include an anchor point for the strings.Knowing this distance is crucial to tuning and intonation. It is calculated by measuring the distance from the front edge of the nut to the 12th fret and then doubling it. A guitar’s scale length is the distance between the front edge of the nut’s slots to the point where the strings contact the bridge saddles.
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