Besides the more obvious list of acts who took a page from the Thin Lizzy stylebook ( Def Leppard, to name one), the group’s lyrical and arrangement style bore a strong influence upon the work of Lynott’s fellow Irishman Bob Geldof. In doing so he and his bandmates (Downey plus dual lead guitarists Scott Gorham and Brian Robertson) made one of the most influential hard rock albums of the decade. Like the Boss, Lynott set out to create songs of power and grandeur. Clear antecedents to his verbose (and grandiose) compositional style include Bruce Springsteen. For Jailbreak, Lynott crafted a suite of songs that had a vague thematic linking. The band endured those challenges while cranking out a few serviceable albums, none of which charted in the UK or USA.ġ976 was the year that Thin Lizzy finally broke through commercially and critically, and they did so in a big way. What remained to develop was the depth of Lynott’s songwriting, the quality of studio production, and a stable band lineup. So the components of what would eventually develop as the signature approach of the band were in place right from the get-go. Even on that early track, the band employed overdubbing to showcase a twin harmonizing lead guitar approach. Moreover, the song employed lots of clear, sinewy lead guitar. And while ‘Whiskey in the Jar” wasn’t an original composition (it was a folk-rock reworking of a traditional Irish ballad) it fit in with the storytelling approach favored by Lynott. They enjoyed a modest UK hit with their first single, “Whiskey in the Jar” in late 1972, but no further hits would be forthcoming (for awhile, at least).Įven on that early single, Lynott’s raspy, impassioned vocal delivery was the central focal point of the band’s sound. They signed with Decca in November of that year and promptly moved to London. Phil Lynott (bass, vocals, songwriting) and childhood mate Brian Downey (drums) briefly enlisted ex- Them guitarist Eric Bell. Thin Lizzy formed in Dublin in March 1970. Thin Lizzy was one, and Jailbreak was that album. Now, extrapolate that out to the album format: how many groups have a great album in them? The answer is: not many. If one accepts that assertion, the odds of a band coming up with a great song are a mere fraction of that total. Writer(s): Philip Parris LynottLyrics powered by an old axiom that sets forth this idea: nearly every band has at least one good song in them, but few have more than that. Tonight there′s gonna be a jailbreak Somewhere in this town See me and the boys we don't like it So we′re getting up and going down Hiding low, looking right to left If you see us coming I think it's best We'll move away, do you hear what I say? From under my breath Tonight there′s gonna be a jailbreak Somewhere in the town Tonight there′s gonna be a jailbreak So don't you be around Don′t you be around Tonight there's gonna be trouble Some of us won′t survive See the boys and me mean business Bustin' out dead or alive I can hear the hound dogs on my trail All hell breaks loose, alarm and sirens wail Like the game if you lose Go to jail Tonight there′s gonna be a jailbreak Somewhere in the town Tonight there's gonna be a jailbreak So don't you be around Tonight there′s gonna trouble I′m gonna find myself in Tonight there's gonna be trouble So woman stay with a friend You know it′s safer Breakout! Tonight there's gonna be a breakout Into the city zones Don′t you dare to try and stop us No one could for long Searchlight on my trail Tonight's the night all systems fail Hey you good lookin′ female Come here! Tonight there's gonna be a jailbreak Somewhere in the town Tonight there's gonna be a jailbreak So don′t you be around Tonight there′s gonna be trouble I'm gonna find myself in Tonight there′s gonna be trouble So woman stay with a friend
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